Monday, March 03, 2014

And That's How It Is

I  know several people who have expressed dismay at my lack of regularity with this blog.  Other things have developed that take my attention and concentration and there's not enough left to write worthwhile blog material.  I want to keep this site active and therefore plan to post once a month on the first of the month or as near to it as I can.  Apologies to those who have become regular readers.  Following I am posting one of the recent articles published in the newspapers.
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LOOKING BACK ...
A Horse Story
by Lynn Bueling

Most people like a good horse story. Through the years, countless numbers of them have run through the pages of our books: Black Beauty, Smoky the Cow Horse, the Black Stallion, lately War Horse, plus many others. For the most part, the stories follow a pattern of good times followed by bad, then ending happily with the horse living out his days in friendly surroundings.

The first book series that gripped my attention as a young lad was the trilogy by Mary O'Hara - My Friend Flicka, Thunderhead, and The Green Grass of Wyoming. Flicka inherited a strain of mustang blood that made her hard to tame, ie until a boy adopts her, then the above mentioned pattern develops. In Thunderhead, Flicka gives birth to the horse Thunderhead, the inheritor of his mother's wild mustang blood. The boy's father wants to geld him. It's there the tension begins. The boy comes of age as a rancher in The Green Grass of Wyoming. The books can hold the interest of any age group and are on my list to read again sometime.

For the most part, the horse culture was so ingrained in our society that they were taken for granted, used up, and cast away. A horse needed to have accomplished something above the ordinary to be noticed. In 1885, newspapers quoted the following lines from an obituary: “At the conclusion of the services at the church, the procession will at once proceed to the grave where all that remains of the deceased will be laid to rest. The hearse will be drawn by Fastboy, the well-known five-year-old Hambletonian who has but recently reduced his record to 2:32.”

For the past few years I've been a fan of a horse named Tipperary. His history came to light when reading about the remount service in World War I. On the battlefields of Europe, horses, in huge numbers, became targeted or suffered indiscriminate deaths from artillery shells, gas, and disease. The availability of replacements on the European continent had disappeared, and buyers looked elsewhere to buy remounts. Because of our military's dependance on horses and mules, the government established the U. S. Remount Service in 1908 whose task was to maintain a dependable supply. They even formed a breeding program to fill quotas.

Shift the scene to Camp Crook, South Dakota, 1915. The town, located in the extreme northwest corner of the state, was relatively close to Fort Keogh, the army's largest remount station, near Miles City, Montana. French buyers came down to Camp Crook to attend a horse sale. They inspected each horse individually to determine its suitability as a war horse. Tipperary did not make the cut because he demonstrated an outlaw nature.

Since his owners realized he would never make a saddle horse, they put him into competition with the rugged cowboys who thought they could ride any bronc. The reputation of the horse started growing; he bucked off all of his would-be riders. One of the first men to mount up and get thrown gave name to the horse. As he rose from the dirt and dusted himself off, he started singing words from a song of the time, “It's a long, long way to Tipperary.”

Rodeo rules differed greatly from those in today's Pro Rodeo Cowboys rulebook, if, indeed,they even existed. A horse was held in place in the middle of an arena and released when the rider got in the saddle. He could ride for as long as he stayed in the saddle, if he kept his feet in the stirrups. One man early in Tipperary's career did ride him, but people seem to discount the ride. Why? The horse limped into the arena because of a cut and sore foot. Prize money probably motivated the owners to permit the ride even with the injury. The SPCA existed at this time, but who checked on such things out here?

The years started passing by, and the number of Tipperary's victories mounted. Not until 1920 did anyone score a qualified ride on him. The rider, Yakima Canutt, rode him successfully in a muddy arena where the horse never gained firm footing. The following year, the same man rode him to the finish, but spectators on one side of the arena booed and protested that Canutt had lost a stirrup on the offside where judges couldn't see. It should have disqualified him, but he received the prize money. Canutt went on to the movie business in Hollywood and often stunted for John Wayne, including the famous runaway scene in the movie “Stagecoach.”

One other man scored a successful ride in 1926 when the horse was 21 years old. With that defeat his owner finally released him into the prairie to live out his days. The final tally of Tipperary's victories is somewhat elusive because of poor record keeping, but best guess estimates place it at about 91. Unfortunately, this story does not end happily. In 1932, a blizzard caught Tipperary in the open. They found him in the spring, his bones picked clean by coyotes.